JEAN DUPAS
CLIO, c. 1939
A charcoal drawing on paper depicting Clio, the muse of History, nude and seated, her body drawn inward and her legs folded. She holds a stylus in her right hand, while her left hand points to an unfurled scroll in the background, a symbol of writing and historical Memory.
The connection between Clio and Melpomene remains relevant and resonates deeply in this drawing, which serves as a preparatory study for the fresco 'La Gloire de Bordeaux' at the Bourse du Travail in Bordeaux. The mythologization of the staging of History echoes the way Jean Dupas himself described his work, as reported in the article “Watching Jean Dupas Paint at the Bourse de Commerce,” in which he states that painting “definitively ensures the triumph of the Spirit.”
The connection between Clio and Melpomene remains relevant and resonates deeply in this drawing, which serves as a preparatory study for the fresco 'La Gloire de Bordeaux' at the Bourse du Travail in Bordeaux. The mythologization of the staging of History echoes the way Jean Dupas himself described his work, as reported in the article “Watching Jean Dupas Paint at the Bourse de Commerce,” in which he states that painting “definitively ensures the triumph of the Spirit.”
H 52.4 - L 52.4 cm (H 20 5/8 - L 20 5/8 in.)
With frame: H 65 - L 65 cm (H 25 5/8 - L 25 5/8 in.)
With frame: H 65 - L 65 cm (H 25 5/8 - L 25 5/8 in.)
Signed 'Jean Dupas' lower right.
Further images
This female nude study relates to Jean Dupas’s grand decorative cycle La Gloire de Bordeaux, painted in 1937 for the apse of the conference hall at the Bourse du Travail in Bordeaux. The monumental composition, still in situ today, celebrates the city’s vitality and prosperity through allegorical figures representing the river Garonne, and various Olympic gods such as Neptune, Bacchus and Ceres, as well as several Muses of the Arts, all surrounding the city’s coat of arms.
Likely depicting the Allegory of History and Tragedy, as a nod to the city’s important contribution to French theater, the present drawing exemplifies Dupas’s refined synthesis of classical tradition and modern form. A leading exponent of modern classicism, Dupas here combines the precision of an Ingresque line with elongated proportions, a subtle cubist stylization through the mastery use of charcoal, which is characteristic of his mature style. The figure’s sculptural modeling and sensual contours only reveal his exceptional draughtsmanship, which shouldn’t come as a surprise for an artist who won the famous Grand Prix de Rome in 1910, allowing him to study the work of many Renaissance masters, especially Michelangelo, in Rome.
Dupas achieved national and international renown through major decorative commissions, from the Tour des Vins de France at the 1925 Exposition Internationale des Arts Décoratifs to the celebrated Art Deco interiors of the ocean liner Normandie. With the Bourse du Travail project—commissioned by Bordeaux’s visionary mayor Adrien Marquet—Dupas affirmed both his artistic stature and the civic ambition of a city eager to combine beauty with progress.
Likely depicting the Allegory of History and Tragedy, as a nod to the city’s important contribution to French theater, the present drawing exemplifies Dupas’s refined synthesis of classical tradition and modern form. A leading exponent of modern classicism, Dupas here combines the precision of an Ingresque line with elongated proportions, a subtle cubist stylization through the mastery use of charcoal, which is characteristic of his mature style. The figure’s sculptural modeling and sensual contours only reveal his exceptional draughtsmanship, which shouldn’t come as a surprise for an artist who won the famous Grand Prix de Rome in 1910, allowing him to study the work of many Renaissance masters, especially Michelangelo, in Rome.
Dupas achieved national and international renown through major decorative commissions, from the Tour des Vins de France at the 1925 Exposition Internationale des Arts Décoratifs to the celebrated Art Deco interiors of the ocean liner Normandie. With the Bourse du Travail project—commissioned by Bordeaux’s visionary mayor Adrien Marquet—Dupas affirmed both his artistic stature and the civic ambition of a city eager to combine beauty with progress.
Exhibitions
Another preparatory study for the same fresco is held in the collection of the Musée de Bordeaux, France, under inventory number Bx 2024.4.1.
Literature
'Jean Dupas & Co. Le Grand Art Déco', exhibition catalog, Musée des Beaux-Arts de Bordeaux, Éditions Sans Égal, Bordeaux, 2026, p. 168, for a photograph of the fresco; and Dominique Dussol, "Les décors de la Bourse du Travail," for an analysis of the mythological theme chosen by Jean Dupas for this work.WELCOME TO GALERIE MARCILHAC NEWSLETTER
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