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FURNITURE

JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920
JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920
JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920
JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920
JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920
JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920
JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920
JACQUES-ÉMILE RUHLMANN, 'Araignée' Table , c. 1920

JACQUES-ÉMILE RUHLMANN

'Araignée' Table , c. 1920
Table known as 'Spider' in Macassar ebony veneer on an oak structure with a double-tiered top, one of which is circular. The upper tier features a circular inlay design with ivory dots on a radiating veneer pattern. Tapered legs with pronounced corners ending in silvered chrome-plated bronze sabots.
Stamped 'Ruhlmann'

Further images

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CIC for Ivory N°FR2407516157-K
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Literature

- E. Tisserand, Chronique de l'Art Décoratif, “Still the ‘officials’. The projects of Mr. Ruhlmann,” Lectures, Paris, 1925, p. 26.

- H. Clouzot, “The Miracle of French Furniture – Ruhlmann’s Furniture Ensembles,” L'Illustration, 1928, p. 687.

- Ruhlmann Archives, held at the Musée des Années 30 in Boulogne-Billancourt (Ar Sièges, Lits, Divans, Tables, Bureaux, Meubles 2002 18 15), referenced under no. 1018.

- Florence Camard, Ruhlmann, Éditions du Regard, Paris, 1983, model referenced and illustrated on p. 226 under ref. 1018 AR/1220 NR.

- Florence Camard, Ruhlmann, Éditions Monelle Hayot, Paris, 2009: similar model in burr veneer illustrated on p. 139; in Macassar ebony illustrated on pp. 123 and 136; also illustrated on p. 175 in a period photograph from the 1919 Grand Prix de Rome.

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