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Artworks

JACQUES-ÉMILE RUHLMANN, SET OF 8 'ZUCCA' CHAIRS, c. 1925
JACQUES-ÉMILE RUHLMANN, SET OF 8 'ZUCCA' CHAIRS, c. 1925
JACQUES-ÉMILE RUHLMANN, SET OF 8 'ZUCCA' CHAIRS, c. 1925
JACQUES-ÉMILE RUHLMANN, SET OF 8 'ZUCCA' CHAIRS, c. 1925
JACQUES-ÉMILE RUHLMANN, SET OF 8 'ZUCCA' CHAIRS, c. 1925

JACQUES-ÉMILE RUHLMANN

SET OF 8 'ZUCCA' CHAIRS, c. 1925
Set of eight chairs in Honduran mahogany. The openwork, lyre-shaped backs extend into gently curved uprights. The shaped front legs terminate in ivorine sabots, while the rear legs are saber-shaped.
Model recorded in the Ruhlmann reference books under nos. 5 AR and 90 NR.
H 99.7 - W 49.8 - D 48.9 cm.
H 39 ¼ - W 19 ⅝ - D 19 ¼ in.
Each stamped 'Ruhlmann' underneath.

Further images

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Created around 1925, the Zucca chair belongs to Jacques-Émile Ruhlmann’s mature period, at the height of his international recognition surrounding the 1925 Exposition internationale des Arts décoratifs et industriels modernes in Paris. The model is recorded in the Ruhlmann reference books under nos. 5 AR and 90 NR.

Its design exemplifies Ruhlmann’s distinctive balance between classical elegance and modern stylisation. The openwork back, conceived as a lyre composed of slender radiating slats, gives the chair remarkable visual lightness, while the gently saber-shaped legs extend its lines with great fluidity. The contrasting sabots terminating the front legs provide one of the subtle material accents characteristic of Ruhlmann’s vocabulary.

Preserved here as a rare homogeneous set of eight, the Zucca chairs fully reveal the rhythmic and graphic coherence Ruhlmann brought to dining-room furniture.

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Literature

Listed in the Ruhlmann model register held at the Musée des Années Trente, Boulogne-Billancourt, no. 5 AR - 90 NR called as 'Zuccari' or 'Zucca' model.

Florence Camard, 'Ruhlmann', Paris: Éditions du Regard, 1983, p. 256

Florence Camard, 'Jacques-Émile Ruhlmann', Saint-Rémy-en-l’Eau: Monelle Hayot, 2009, p. 124 for a similar model.

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