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JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927
JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960), 'ALLÉGORIE DE LA PROSPERITÉ', 1927

JEAN DUPAS (1882-1964) & EDGAR BRANDT (1880-1960)

'ALLÉGORIE DE LA PROSPERITÉ', 1927
Allegorical composition executed in ink, wash, gouache and pastel on paper mounted on board, preserved in its original wrought-iron frame designed by Edgar Brandt. Set within a monumental woodland articulated by arch-like trees draped with flowering garlands, a procession of female figures, children and symbolic animals celebrates abundance and prosperity. A bull, horse, stag and birds gather around a golden sphere, while towering trees and cascading waterfalls enhance the depth of the composition. Brilliant touches of pink, delicately dispersed throughout the foliage and draperies, enliven the scene, in which Jean Dupas combines a classical ideal with the refined stylisation characteristic of the Art Deco period. The original wrought-iron frame by Edgar Brandt extends the architectural and ornamental quality of the composition and bears witness to the collaboration between two of the foremost French decorative artists of the 1920s
H 106 - W 76 - D 4 cm.
H 41 3/4 - W 29 7/8 - D 1 5/8 in.
Signed 'Jean Dupas', dated 1927 lower right.

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Michel Roux-Spitz (1888–1957) was one of the leading French architects and urban planners of the twentieth century. Educated at the École des Beaux-Arts in Paris, he was awarded the Grand Prix de Rome for Architecture in 1920. An enlightened collector and close associate of many of the foremost artists of his time, he assembled a remarkable collection that included this allegorical work by Jean Dupas, himself awarded the Grand Prix de Rome for Painting in 1910. Their respective careers, both distinguished by this prestigious honour, reflect the close ties that united the leading figures of French art and architecture in the early twentieth century.


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Provenance

Michel Roux-Spitz Collection, Paris

André Blanchet Collection, France

Auction at the Hôtel des Chevau-Légers, Versailles, May 20, 2000, lot 540

Acquired from the previous owner by the last owner

Private collection, France

Literature

F.S., 'Salons and Boudoirs', Les Echos des industries d’art, January 1929, on p. 7
'Michel Roux-Spitz, un architecte et un décorateur', in Mobilier et Décoration, May 1931, pp. 177-194, the artwork represented in the dining romm on p. 181
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