


PIERRE CHAREAU
"SN31" FLOOR LAMP , c. 1925
A "SN31" - also said "Nun"
Padauk wood, alabaster and wrought iron floor lamp, model designed by Pierre Chareau in 1923.
Padauk wood, alabaster and wrought iron floor lamp, model designed by Pierre Chareau in 1923.
H. 183 cm.
H. 72 in.
H. 72 in.
Further images
- A certificate of authenticity issued by Francis Lamond will be given to the buyer.
“Religieuse” or “SN31” Floor LampCreated in the early 1920s, the so-called “Religieuse” floor lamp – model SN31 – stands as one of Pierre Chareau’s masterpieces in lighting design, blending formal poetry with architectural rigor.
Its nickname, “Religieuse,” stems from its anthropomorphic silhouette, inspired by the traditional habit of nuns: the shade, composed of delicate sheets of alabaster set into a black metal frame, recalls their starched headdress, with carefully articulated geometric folds. The light, filtered through the translucent stone, shimmers softly, bathing the space in a glow that feels almost sacred.
The shaft is crafted from rare and precious padouk wood, whose deep hue and sculptural, trapezoidal form evoke the structured black robe of a nun. The piece plays on contrasts—between the density of the wood, the diaphanous mineral quality of the alabaster, and the refinement of the construction.
A functional object turned luminous sculpture, the “Religieuse” reflects Chareau’s genius for elevating design to a form of artistic expression. It embodies a singular vision of modernity: spiritual, sensual, and architectural all at once.
“Religieuse” or “SN31” Floor LampCreated in the early 1920s, the so-called “Religieuse” floor lamp – model SN31 – stands as one of Pierre Chareau’s masterpieces in lighting design, blending formal poetry with architectural rigor.
Its nickname, “Religieuse,” stems from its anthropomorphic silhouette, inspired by the traditional habit of nuns: the shade, composed of delicate sheets of alabaster set into a black metal frame, recalls their starched headdress, with carefully articulated geometric folds. The light, filtered through the translucent stone, shimmers softly, bathing the space in a glow that feels almost sacred.
The shaft is crafted from rare and precious padouk wood, whose deep hue and sculptural, trapezoidal form evoke the structured black robe of a nun. The piece plays on contrasts—between the density of the wood, the diaphanous mineral quality of the alabaster, and the refinement of the construction.
A functional object turned luminous sculpture, the “Religieuse” reflects Chareau’s genius for elevating design to a form of artistic expression. It embodies a singular vision of modernity: spiritual, sensual, and architectural all at once.
Provenance
- Jean-Claude Brugnot's Collection, Paris.- Auction sale : Jean-Claude Brugnot's collection, Million & Robert, Hôtel George V, Paris, June 18, 1993.
- Private collection, France.
Exhibitions
- Xavier Lenormand and Aaron Lederfajn, "1930 Quand le meuble devient sculpture", catalog of the exhibition at the Louvre des Antiquaires, Paris, March 6 to June 6, 1981, no. 147.- Marc Lambrecht, "L'Art Déco en Europe", Palais des Beaux-Arts, Brussels, March 3 to May 18 1989, p 132 F 9.
Literature
- L'Amour de l'Art, April 1924, model reproduced on pages 116 and 193.- "Les Arts de la Maison", Autumn-Winter 1924, color plate II: "Pierre Chareau's set for an office" featuring the floor lamp within an interior.
- Brian Brace Taylor: "Pierre Chareau Designer and Architect", Taschen America Llc, 1998, model reproduced on page 63.
- "Pierre Chareau: Modern Architecture and Design", exhibition catalog November 4, 2016 - March 26, 2017, The Jewish Museum, New York, 2016, model reproduced on page 139.
- Bédarida (Marc), Lamond (Francis), 'Pierre Chareau', Norma, Paris, Mars 2023, Vol 1, pp. 60, 94, 106, 264 - 265, Vol 2, pp. 45, 94.
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