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THE SALON ART + DESIGN NEW YORK 2026: BOOTH A8

Current exhibition
4 - 8 November 2026
  • Works
  • Overview
  • Installation Views
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910
CARLO BUGATTI, SIDE TABLE, c. 1910

CARLO BUGATTI

SIDE TABLE, c. 1910
Occasional table with an octagonal top covered in sheep parchment (Ovis aries), framed in two-tone walnut (Juglans regia) richly inlaid with tin, copper and brass. The top is decorated with a geometric composition punctuated by stylised insects in metal marquetry. The openwork walnut structure is further enriched with metal inlays, bovine bone elements (Bos taurus) and repoussé copper motifs. Elaborate fringed silk passementerie runs around the edge of the top.
H 75 - Diam. 59 cm.
H 29 1/2 - Diam. 23 1/4 in.

Further images

  • (View a larger image of thumbnail 1 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 2 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 3 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 4 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 5 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 6 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 7 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 8 ) LINE VAUTRIN, EGG, c. 1950
  • (View a larger image of thumbnail 9 ) LINE VAUTRIN, EGG, c. 1950

This occasional table brings together with remarkable richness several of the defining elements of Carlo Bugatti’s decorative language. The rigorous geometry of the octagonal top is echoed by an openwork structure conceived as a true architectural composition, in which arches, cut-out forms and contrasting woods create a complex interplay of rhythms and contrasts.

Across the top, stylized insects delineated by fine metal inlays belong to Bugatti’s distinctive ornamental vocabulary, in which observation of the natural world is combined with a decidedly graphic stylization. Parchment, pewter, bone, copper and passementerie are thus brought together in a composition where precious materials, naturalistic motifs and geometry form part of the same decorative universe.

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Provenance

Acquired in the 1910s by Filippo Bonfiglietti, a naval engineer in the Royal Italian Navy, in Rome. From a distinguished private collection in Milan, Italy. From there, by inheritance.
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